π Esquina Tango Austin Presents
Halloween with “El Cachivache Orkesta”! πΈοΈ
Internationally acclaimed Argentine orchestra in their 2024 US Tour
Two nights of spooky fun, tango, and live music!
π Donβt miss this chance to celebrate Halloween with an unforgettable night of dancing and costumes!
π
Wednesday, October 30th | Esquina Tango
Musicality Workshop & Practica with Cachivache Orkesta
π’ 7:30 PM – 8:45 PM | Musicality Workshop for dancers of all levels (and the curious!)
Explore the rich history and rhythms of tango music in this engaging workshop. You’ll analyze different styles, dive into key rhythms, and practice dance exercises focused on musicality and connection. Strengthen your embrace, refine your sense of timing, and deepen your bond with the music and your partner.
π 8:45 PM – 10:30 PM | Practilonga with DJ
π Location: Esquina Tango, 209 Pedernales St, Austin, TX 78702
π° Price: $30 for Esquina Members & University Students / $35 General Admission (Practilonga included in class)
Click here to sign up to workshop
π
Thursday, October 31st | KMFA Studio
Halloween Show & Milonga with “Cachivache Orkesta” ππ»
Plus, a Costume Contest!
π 6:30 PM | Doors open
π 7:00 PM – 7:45 PM | All-levels Tango Class (no partner or experience needed!)
π 8:00 PM – 11:30 PM | Milonga & Show with Cachivache Orkesta + DJ El Yoni πΆ
π Location: KMFA The Draylen Mason Music Studio, 41 Navasota St, Austin, TX 78702
π° Pricing (per person):
VIP reserve seating Side-Middle + glass of bubble: $65 (only 16 seats total)
Side-Front reserve seating: $60 (only 10 seats total)
Side-Back reserve seating: $55 (only 10 seats total)
Backhouse reserve seating: $55 (only 14 seats total)
General Admission: $35 (standing room)
If you have reserved seating, an usher will guide you to your seat. Thereβs a relaxing area for standing-room tickets where you can take a break and change shoes if needed.
ποΈ Get your Thursday tickets belowβthis event will sell out fast! * Please note that you can choose the “platforms service charge”
This project is supported in part by the National Endowment for the Arts